Opinion

Commemorating the 100th anniversary of WWI, The Head & The Load at Tate Modern makes incomprehension the work’s guiding theme

The punk artists’s invasion of the pitch during the Croatia vs. France match reminded us what Russia’s new ‘normality’ really means

If artificial intelligence were ever to achieve sentience, could it feasibly produce art? (And would it be good?)

Nods to the game in World Cup celebrations show how dance has gone viral – but unwittingly instrumentalized for commercial interests

A number of exhibitions in London explore how contemporary technologies and lifestyles are changing the architecture of the home

‘You can’t reason with him but you can ridicule him’ – lightweight as it is, Trump Baby is a win for art as a legitimate form of protest

Now open to the public, the prison, modelled on Bentham’s panopticon, gives insight into the tumultuous history of working class uprisings

Can a ragtag cluster of artists, curators and critics really push back against our ‘bare’ art world?

Is the lack of social mobility in the arts due to a self-congratulatory conviction that the sector represents the solution rather than the problem?

The controversial intellectual suggests art would be better done at home – she should be careful what she wishes for

Previously unheard music on Both Directions At Once includes blues as imposing as the saxophonist would ever record

In our devotion to computation and its predictive capabilities are we rushing blindly towards our own demise?