Ming Wong

With the ART021 and West Bund Art and Design fairs opening this week, a guide to the best gallery and museum shows in the city

Wong Kar-wai, Happy Together, 1997, film still. Courtesy: the artist and Alamy 

From the new issue of frieze: Changes in urban cultures and queer aesthetics across the Sinosphere 

Artists' Film - 18 Sep 2016

In anticipation of his new work for Frieze Film, Ming Wong reflects on his 2012 ode to Roman Polanski

Ming Wong, Aku Akan Bertahan / I Will Survive (production still), 2015. Three-channel video installation, running time variable. Courtesy the artist, Vitamin Creative Space, Guangzhou and carlier | gebauer, Berlin
 

Samson Kambalu, Rachel Maclean, Shana Moulton and Ming Wong premiere new commissions

Film
Ming Wong, Aku Akan Bertahan / I Will Survive (production still), 2015. Three-channel video installation, running time variable. Courtesy the artist, Vitamin Creative Space, Guangzhou and carlier | gebauer, Berlin
 

Explorations of identity and gender in a re-working of classic European arthouse cinema

Abdul Abdullah, The Wedding (Conspiracy to Commit), from the series ‘Coming  to Terms’, 2015, chromogenic print, 1 × 2 m

Queensland Art Gallery & Gallery of Modern Art, Brisbane, Australia

The artist posing in front of Mount Vesuvius, the location for the final scene of Devo Partire. Domani  (I Must Go. Tomorrow) 2010 • Photograph: © Luciano Romano / Napoli Teatro Festival Italia 2010

Ming Wong’s homage to Pier Paolo Pasolini involved relocating the story of the Italian director’s 1968 masterpiece, Teorema, from Milan