Jonathas de Andrade

Recent instances of censorship show an emboldened far right attacking the arts, queer identity and more: artists, curators and writers respond

Alicia Barney, Valle de Alicia (Valley of Alicia), 2016, metal, wood, paper, PVC, acrylic emulsion, dimensions variable. Commissioned by the Fundação Bienal de São Paulo for the 32nd Bienal, 2016. Photograph: Leo Eloy / Fundação Bienal de São Paulo

First impressions of the biennial which focuses on the uncertainty of today’s world

Pace Gallery, New York, USA

HoyAyer  (TodayYesterday), 2011, 24 photographic prints on Kodak gloss paper

Tropical Modernism and the ‘potential of nostalgia’; photographs, prints and new layers of memory