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James Bridle

At the Photographers’ Gallery in London, a show examining the increasingly ubiquitous images produced by machines

By Hettie Judah

At an event hosted by the ICA in London, the whistleblower and activist talked about the dangers of technology and how the US is now ‘like a prison

By Ellen Mara De Wachter

‘Spellbound’ at the Ashmolean Museum, Oxford, traces magic and ritual from the Middle Ages to today

By Hettie Judah

In our devotion to computation and its predictive capabilities are we rushing blindly towards our own demise?

By Nathaniel Budzinski

Thoughts on #MeToo, Tom Hanks’ typewriter reveries and algorithmic citizenship: what to read this weekend

At the Serpentine Marathon, artists and scientists considered AI, paranoia and the supernatural in an age of machine learning

By Hettie Judah

With our increasingly porous objects, ubiquitous networks and ambivalent organisms, why artists are drawing inspiration from extra-human agencies

By Gary Zhexi Zhang

Daniel Culpan wins the 2016 prize for his review of Nicole Eisenman's ‘Al-ugh-ories’ at New Museum, New York

James Bridle, a judge of this year’s Frieze Writer’s Prize, explains how he became a writer

By James Bridle

How the crisis in Greece is prompting young Athens-based artists to find new spaces for communal reflection

By James Bridle

Frieze Writer’s Prize 2016 is open for entries