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Interview


Carlos Pazos, Milonga, 1980, hand-coloured photograph with collage and fluorescent light, 1.1 × 1 m. Courtesy: © Carlos Pazos, A+V Agencia de Creadores Visuales, 2019

 

As an exhibition of works selected by the Spanish author opens in London, he discusses realism, ambiguity and why he doesn’t want to be a ‘curator’

By Amy Sherlock

The artist’s films at Camden Arts Centre evoke anxiety in the face of world events and the tenderness of collective living

By Ellen Mara De Wachter

‘If anything can be converted to DNA, then this interview could become a DNA portrait of you’

By Lynn Hershman Leeson

With a show opening at Hollybush Gardens tomorrow, the artist discusses her career addressing social and political issues through performance

By Isobel Harbison

The Athens-based artist discusses how desire figures in her new film, the relationship between writing and images and the influence her home city h

By Quinn Latimer

The radical filmmaker, teacher and writer talks essentialism in identity politics and why her films are neither documentary nor fiction

By Erika Balsom
Sue Williams, These, 2018, oil on canvas, 1.8 x 2 m. Courtesy: Skarstedt, London © Sue Williams, 303 Gallery, New York

On view at Skarstedt’s London gallery, US artist Sue Williams’s latest body of work reflects a battle against ‘hating everything’ 

By Hettie Judah

A new film by Josh Appignanesi shot entirely on VHS, creates a portrait of novelist Chloe Aridjis and surrealist Leonora Carrington

By Jennifer Higgie

Q: Is humour important to you? A: To me, it’s really a kind of anger management

By Elmgreen & Dragset

The legendary sculptor and performance artist talks liquid sculpture, the politics of dance and the liberating qualities of nylon hosiery

By Osei Bonsu

Q: What do you like the look of? A: ‘Looks aren't everything.’

By Martha Rosler

The legendary Tokyo-based architect reflects on his first UK building, which opens to the public on Saturday

By Crystal Bennes