Harry Thorne

Bielefelder Kunstverein, Germany

Tal R, Heavy Hair, 2002, (detail), oil, crayon, glitter, pencil and paper on linen, 2 x 2 m. Courtesy: Louisiana Museum of Modern Art, Humlebæk

Museum Boijmans Van Beuningen, Rotterdam, The Netherlands

On Donald Trump’s decision to withdraw the US from UNESCO

A report from the Lofoten International Arts Festival: ‘I Taste the Future’

Silberkuppe, Berlin, Germany

Kunstmuseum St. Gallen, Switzerland

A guide to the best projects included in Skulptur Projekte Münster 2017

The second of our editors’ first impressions from Kassel, Harry Thorne on the Neue Neue Galerie

X-ray records in the Soviet Union

Illustration by Lauren Rolwing

A defence of naivety in the age of information

Claus Richter, Your little helper (Robot), 2017, steel, electronic components, loudspeaker, LED, plastic, wood ca. 65 x 55 x 55 cm. Courtesy: Clages, Cologne

Clages, Cologne, Germany

The first in our series of reports from the Venice Biennale: the best of the National Pavilions in the Giardini