Ellen Mara De Wachter

frieze video - 07 Mar 2018

Fifty years on, Ellen Mara De Wachter retraces Robert Smithson’s journey to his home town of Passaic, New Jersey, in search of the monuments of his time

Hauser & Wirth Somerset, Bruton, UK

The question at the heart of Manchester Art Gallery’s artwork removal: what are the risks when cultural programming takes up an activist mantle?

Exhibition view, 'Chalet, an exhibition by Jef Geys', 2017, La Loge, Brussels, Belgium. Courtesy: the artist and La Loge, Brussels

La Loge, Brussels, Belgium

Rebecca Solnit and the Not Surprised letter

Tim Rollins and K.O.S., Animal Farm - Kim Jong-Un (after Orwell), 2017, acrylic and watercolor on book pages on linen, 51 x 66 cm, installation view, Maureen Paley, London. Courtesy Maureen Paley, London, © Tim Rollins and K.O.S.

Maureen Paley, London, UK

A walk through London gives presence to those the current government would rather render invisible

31 Women, 2017, installation view. Courtesy: Breese Little, London; photograph: Benjamin Westoby

Breese Little, London, UK

Christopher Kulendran Thomas in collaboration with Annika Kuhlmann, New Eelam, 2017, exhibition view at Hamburger Bahnhof – Museum für Gegenwart – Berlin. Courtesy: the artist and © Nationalgalerie im Hamburger Bahnhof, SMB, Berlin; photograph: Jan Windszus

How the artists GCC, Lawrence Lek, The Propeller Group, Larissa Sansour and Christopher Kulendran Thomas are visualizing a world in which borders n

‘Neither’, 2017, installation view, Mendes Wood DM, Brussels

Mendes Wood DM, Brussels, Belgium

On coins and iconoclasm, from Maximinus Thrax to SUPERFLEX

Galerie Perrotin, Paris, France