From the exhibitions attempting to formulate ‘an acerbic language that speaks to our present epoch’, curator Samuel Leuenberger's highlights
Helen Marten responds to Ed Atkins’s new work, Old Food, currently showing at Martin-Gropius-Bau, Berlin
On the recurring appearance of the mask in art
Cal Revely-Calder wins the 2017 prize for his review of Dom Sylvester Houédard's exhibition 'Typestracts'
This year’s prize, judged by Ed Atkins, Chris Kraus and Pablo Larios, is now open for entries
The first of our 2016 highlights series features Marianna Simnett, Stranger Things, and a trio of the year's best 'freak moments'
Ed Atkins, Carol Rama, Wael Shawky, and more: this week's must see shows and events
To celebrate frieze’s quarter century, the editors choose 25 key artworks: one for each year of the magazine’s existence
The collector, primarily of digital and time-based art, explains why she is opening a space in Berlin
The difference between ‘what if’ and ‘as if’ scenarios, and what contemporary art has to do with it
Abjection has gained renewed currency as art looks to the body and states of digital and physical decay
dépendance, Brussels, Belgium