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Barbara Casavecchia

From the errors of AI to the pleasures of VR, contributing editor Barbara Casavecchia gives the lowdown on the best shows opening this week

By Barbara Casavecchia

Showing at Istanbul’s Protocinema, the artist’s new film uses the ancient site of Çatalhöyük to investigate a community and its collapse

By Barbara Casavecchia

In its autumn exhibitions, the Milanese art world focuses on the work of women artists

By Barbara Casavecchia

At Galleria Civica’s satellite space, Modena, the artist’s first retrospective explores the latent possibilities of ‘togetherness’

By Barbara Casavecchia

With the 12th edition of the itinerant European biennial opening in Palermo, what do local artists, curators and gallerists think of the project?

By Barbara Casavecchia

From Glenn Ligon’s first solo exhibition in Italy, at Thomas Dane Gallery, to a unique project in an ancient Roman aqueduct

By Barbara Casavecchia

With miart in town, the best art to see across the city – from ghostly apparitions to the many performances across the week

By Barbara Casavecchia

Remembering the avant-garde filmmaker whose work, with her partner Yervant Gianikian, demonstrated an active and precious form of resistance

By Barbara Casavecchia

The artist brings systems of exclusion and exploitation to light at Apalazzo Gallery, Brescia

By Barbara Casavecchia

What use is art when there is no water? Sean O’Toole, Hou Hanru and Barbara Casavecchia on responding to the challenges that this year brings

By Sean O'Toole, Hou Hanru and Barbara Casavecchia

From Anthropocenic doom in Cecilia Alemani’s Italian Pavilion in Venice to Alvin Lucier’s I Am Sitting in a Room at d14

By Barbara Casavecchia
Installation view, Margherita Raso, “Piercing”, Fanta Spazio, Milan, Italy. Courtesy: the artist and Fanta Spazio, Milan; photograph: Roberto Marossi

Fanta Spazio, Milan, Italy

By Barbara Casavecchia