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Barbara Casavecchia

In its autumn exhibitions, the Milanese art world focuses on the work of women artists

At Galleria Civica’s satellite space, Modena, the artist’s first retrospective explores the latent possibilities of ‘togetherness’

With the 12th edition of the itinerant European biennial opening in Palermo, what do local artists, curators and gallerists think of the project?

From Glenn Ligon’s first solo exhibition in Italy, at Thomas Dane Gallery, to a unique project in an ancient Roman aqueduct

With miart in town, the best art to see across the city – from ghostly apparitions to the many performances across the week

Remembering the avant-garde filmmaker whose work, with her partner Yervant Gianikian, demonstrated an active and precious form of resistance

The artist brings systems of exclusion and exploitation to light at Apalazzo Gallery, Brescia

What use is art when there is no water? Sean O’Toole, Hou Hanru and Barbara Casavecchia on responding to the challenges that this year brings

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From Anthropocenic doom in Cecilia Alemani’s Italian Pavilion in Venice to Alvin Lucier’s I Am Sitting in a Room at d14

Installation view, Margherita Raso, “Piercing”, Fanta Spazio, Milan, Italy. Courtesy: the artist and Fanta Spazio, Milan; photograph: Roberto Marossi

Fanta Spazio, Milan, Italy

With the opening of Artissima this week, a guide to the best shows and events across the city

A report from ‘Upon a Shifting Plate’, the final off-site project of this year’s Sharjah Biennial