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frieze magazine

Issue 192

January - February 2018

The January-February issue of frieze sees Hilary Lloyd creates a commissioned artwork, the first in our new ‘Visual Essays’ series; Amalia Pica interviews Beatriz González; plus monographs on Elaine Lustig Cohen and Angelica Mesiti.  Also featuring Dan Fox on the current nostalgia for New York's ‘bad old days’ of the 1970s and ’80s; Evan Moffitt explores how artists Bethany Collins, Steffani Jemison, Adam Pendleton and Kameelah Janan Rasheed are using black radical poetry to unpack subjectivity and race, and artist Haegue Yang, winner of the 2018 Wolfgang Hahn Prize, talks about the objects and ideas that have shaped her thinking. Plus: 48 exhibition reviews from around the world, and Glenn Brown answers our Questionnaire.

Illustration by Lauren Rolwing

On losing faith in generalism, learning to listen and embracing doubt 

Haegue Yang, Lingering Nous, 2016, installation view (detail) at Centre Pompidou, Paris. Courtesy: Centre Pompidou, Paris; photograph: Florian Kleinefenn

Elephants, identity and abstraction: The winner of the 2018 Wolfgang Hahn Prize reveals the objects and ideas that have shaped her thinking

Palais de Tokyo, Paris, France 

How Bethany Collins, Steffani Jemison, Adam Pendleton and Kameelah Janan Rasheed are using the tradition of black radical poetry to examine questio

National Gallery of Victoria, Melbourne, Australia

Various venues, Turkey

The Third Line, Dubai, UAE

Museum of Contemporary Art, Taipei, Taiwan 

Thomas Dane Gallery, London, UK

Gallery 1957, Accra, Ghana

Secession, Vienna, Austria

Josh Lilley, London, UK