Review

Clarissa Tossin, Maya Blue, 2017, performance documentation. Courtesy: the artist

Los Angeles Municipal Art Gallery, Los Angeles, USA

Installation view, 'Oskar and Zofia Hansen', 2017, Museum of Modern Art in Warsaw, Poland. Courtesy: Museum of Modern Art in Warsaw; photograph: Bartosz Stawiarski

Museum of Modern Art in Warsaw, Poland

Annie Pootoogook, Annie and Andre, 2009, coloured pencil and graphite on paper, 50.1 x 66.2 cm. Courtesy:  McMichael Canadian Art Collection, Kleinburg

McMichael Canadian Art Collection, Kleinburg, Canada

Lin May Saeed, Lobster, 2017. Metal, 11 x 24 x 14.5 cm. Courtesy: the artist, Nicolas Krupp, Basel, Jacky Strenz, Frankfurt am Main and Lulu, Mexico City

Lulu, Mexico City, Mexico

Fahrelnissa Zeid, My Hell, 1951, (detail), oil paint on canvas, 2.1 x 5.3 m. Courtesy: Istanbul Museum of Modern Art, Shirin Devrim Trainer and Raad Zeid Al-Hussain, © Istanbul Museum of Modern Art/ Raad Zeid Al-Hussein; photograph: Reha Arcan

Deutsche Bank KunstHalle, Berlin, Germany

 Ascan Breuer, Riding My Tiger – Trilogi Jawa III, 2014, video still, 41’20’’. Courtesy: the artist and Dokumentarisches Labor

Various venues, Thessaloniki

Omer Fast, August, 2016, film still, stereoscopic film in 3D with surround sound. Courtesy: the artist and James Cohan, New York

James Cohan Gallery, New York, USA

Julia Scher, The Schürmann House, 1991, installation view, Kestnergesellschaft, Hannover, 2017. Courtesy: Kestnergesellschaft, Hannover; photograph: Raimund Zakowski

Kestnergesellschaft, Hannover, Germany

Jonathan Baldock and Emma Hart, 'LOVE LIFE ACT III', installation view, De La Warr Pavilion, 2017. Photograph: Rob Harris

De La Warr Pavilion, Bexhill-on-Sea, UK

The Tulca Festival 2017 finds inspiration in a ragged band of ’70s counter-cultural free-thinkers known for their practice of primal therapy

Cornel Brudascu, Untitled, 2010, oil on canvas, 50 x 60 cm. Courtesy: the artist and Plan B Cluj, Berlin; photograph: Trevor Good

Galeria Plan B, Berlin, Germany

Tal R, Heavy Hair, 2002, (detail), oil, crayon, glitter, pencil and paper on linen, 2 x 2 m. Courtesy: Louisiana Museum of Modern Art, Humlebæk

Museum Boijmans Van Beuningen, Rotterdam, The Netherlands

Video

Sponsored Content - 12 Dec 2017

Kosovo-born Sislej Xhafa's first exhibition in Germany speaks to the artist's concerns around identity politics and his birthplace

Sponsored Content - 08 Dec 2017

With her current solo show at Anton Kern Gallery, New York, the Dutch-American artist explains her travelling, hybrid procession-protest piece which uses graphic design and portable sculptural pieces to champion women’s rights