In our devotion to computation and its predictive capabilities are we rushing blindly towards our own demise?
Sir Simon Rattle and the LSO bring Stockhausen’s Gruppen für drei Orchester to the Tate’s cavernous space, 50 years after its London debut
After a year’s hiatus, Birmingham’s best-known art space is back to celebrate its 10th anniversary, but its long-term future in Digbeth is unclear
An art historian explains what the Carters’s takeover of the Paris museum says about art, race and power
In ‘Décor’ at MOCA's Pacific Design Center, Barbara Bloom, Andrea Fraser and Louise Lawler unpick the etiquettes of the gallery space
Artist Andrea Fraser’s 2016 in Museums, Money and Politics lifts the lid on US museum board members and political funding
The Baltimore’s director on why correcting the art historical canon is not only right but urgent for museums to remain relevant
For the 2018 edition of the biennial, it’s as if artists feel the need to resolve situations formally where they can’t be resolved for real
Presented at the Rubin Museum, New York, can art offer a way of viewing nature as an actor in its own right?
Alumni Martin Boyce, Karla Black, Duncan Campbell and Ciara Phillips on the past and future of Charles Rennie Mackintosh’s iconic building
Decoding the First Lady’s off-brand fashion choice
With a republished collection of her writing by David Zwirner Books, the Italophile critic is shown to be as dangerous and uncanny as she is intell
A journey with three stars of Italo disco as they reconnect with forgotten fantasies exploring what the genre might have been
A major collaboration between Frieze and Gucci, Second Summer of Love is a new series of films exploring the year 1988’s enduring impact on international contemporary culture